538. SWAMI SIVANANDA

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THE CALL OF THE REAL : 3. SWAMI SIVANANDA
04/05/2019

The divine play of manifestation, through its scenes of appearing and disappearing in the variegated colours of life and death, drives home to mankind the lesson that this life is only an act in the stage of becoming, where many parts are played and no part in itself is complete enough to give the character of wholeness to the play.

Every actor on the stage behaves in such a way that he does not portray himself as an unrelated independent personality, but endeavours to be an integral part of the entire play. This behaviour of the actor fitted to the wholeness of the play is his dramatic peculiarity or the Dharma which unites all actors to the whole, which is the ultimate purpose.

The Dharma of man is his religion which binds him to the Whole, which shows that he is a part of the Whole, trying to abide by the Law of the Whole and aiming at fulfilling the purpose of the Whole. For, the Whole is the truth and the good of all is included in it as its constituents which can never exist independently of the Whole.

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